SARAH SANDFORD

ARTIST STATEMENT
The natural world is comprised of elements that form distinct and perceptible patterns. I am interested in the organization of patterns and the

layering thereof, through which complex structures are formed. These structures, relating to natural forms, become disguised behind the pseudo-realism of the final state in which they are presented. Are they part of the inner workings of the human body? Could they represent some new life form?

Such questions are inherent to viewing my images, as they are shrouded in uncertainty, yet are reminiscent of inner spaces representing mysterious and intimate worlds within ourselves. My representation of these worlds does not rest solely on their physical or structural elements. Rather, they are abstracted forms that embody the intricate, complex nature relevant to understanding our own unique histories of emotional states, mental conditionings and spiritual journeys.

The process of layering becomes essential to my work. I use line, colour, texture and pattern to create depth. The image slowly develops through a build up of surfaces. Currently, I am using light to uncover hidden patterns found in glass that exist when captured at different angles and at different times of the day. Working with both old, manufactured glass windows and new types of glassware, I photograph cast shadows and reflections. Both types of glass create images ranging in feel to that of early medical imaging, like that of x-rays and sonograms, to more advanced equipment, such as SEM microscopes and telescopic images from space. Using photo-silkscreen and multiple transparency resolutions, I print several layers of colour. By incorporating elements of heavy darkness against strong light the images become etherealised. A sense of time and space from that of another realm occurs and one is left questioning the meaning of these hidden places.