△ Simple geometric objects made for people to use and enjoy. Created from wood with love for geometry and design. Every single piece is unique △

African fusion clothing, bespoke designing and tailoring and African crafts and gifts.

After graduating in Fine Art at Goldsmiths College and completing a Masters in Computers in Design at Middlesex University I worked as a Special Effects Artist on Hollywood feature films. The digital techniques have proved invaluable when combining hand drawn artwork with multiple layers of photographic textures or doing prep work for printmaking.

While living ‘down south’ I freelanced as a commercial artist. My work appeared in national museums including The Churchill War Rooms, on digital billboards around the world and as stage projections in venues such as the Royal Albert Hall, The Southbank Centre and on the Pyramid stage at Glastonbury.

I also worked with bands including The Who and Julian Cope and had work in window displays and interiors of leading high street retailers including Selfridges and DicksonCyberExpress in Hong Kong.

During this period I also lectured in several universities including Glasgow School of Art and the London College of Music & Media.

Rose is a contemporary landscape and seascape painter. Rose grew up on a boat in the River Dart. Inspired by her passion; the sea and sky, she expressively captures her subject in oils. Graduating from The University of Edinburgh in 2021, she currently works between her studios in Edinburgh and Devon. Rose’s first solo exhibition in Salcombe (2019) sold out. Her work is now collected nationally and internationally.

Sally Fisher is a painter and printmaker based in Leith, Edinburgh. She became a full time artist in 2013, when she set-up Salgallery.

Sally works on her collagraph prints at home, designing and creating the “plates” using mount card. She cuts lines with a craft knife and sometimes adds texture before printing with an etching press at Edinburgh Printmakers.

Born 1987, Glasgow.
Based in Edinburgh.
contact sarahmuirhead1@yahoo.co.uk for any enquieries or sales.

I’m fascinated by the physicality and spirit of a body and it’s potential for pleasure, pain and expression. Idiosyncratic character is intrinsically important in my work but an anatomical, pulsing, critical view is also there. The image is an accurate representation but the close detail is an expressive pattern describing minute features. It’s a record of my examination of the subject and my relationship with them rather than a slavish copy of their every pore. I like using body paint and projectors to give my subjects something to interact with which often leads to an image which articulates the anatomy of the body or lets them be part of the process in deciding which pose or composition works best. It’s interesting to watch how people react with these tools and whether they use them self consciously or instinctively. The potential ambiguity and tension in the eye contact of a still image is something I find enormously compelling and I have tried to appeal for a reaction in the viewer. The quality of flesh, its contrasting textures and tensions, the density and potential of muscle and the irregularity and dimples in fatty tissue are important in the way I want to describe any given subject. I want the bodies I paint to be a strange mixture of lurid, glistening attraction and true empathic realism avoiding elegant cliches. They reflect private selves and acknowledge my inescapable role as a voyeur in observing and recreating them. A period of serious illness has detached my idea of personality from physicality – I want to paint the two back together again.